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The Mayflower settlers: brutish colonialists? Seekers after a free world? What is the truth?

July 3, 2021

When the 350th anniversary of the Mayflower voyage was celebrated in 1970 a spokesman for the Wampanoag tribe on whose territory the settlers had landed was invited to give a speech.

At the last moment he was excluded because the organisers ‘didn’t like what he had to say.’ He had planned to tell the world that the Wampanoag were part of the Mayflower story and should be recognised as such. And so they should. The tribesmen could easily have driven off the interlopers, half of whom died within five months of landing in November 1620, but instead, they made peace, they showed the settlers how to survive in that alien landscape, grow corn, catch fish and ensure their first harvest.

The long-delayed expression of their grievances was to be central to an ambitious ceremony planned for Plymouth, Devon, where the Mayflower docked briefly before sailing to America in September, 1620. Postponed last year and rescheduled for July 10-11 - only to be kiboshed again by Covid.

You would imagine universal disappointment at the news but not so. Take this acerbic tweet from @MayflowerLondon, one of the many significant players in the anniversary celebrations: ‘Great news that the awful M400 Ceremony has been cancelled. Focussing M400 celebrations on Plymouth Devon distorted the history of Britain.’

The reason for their hostility? For many - and for me who spent five years writing Voices of the Mayflower which is out now - the story has become, not about the Mayflower, not about the settlers, but about the Native Peoples.

The re-writing of history has been under way since that snub in 1970, shared and encouraged by the governing body, the General Society of Mayflower Descendants, and reinforced months ago when the original anniversary plans for the UK were announced. 

Jo Loosemore, director of the Plymouth museum The Box, declared that the need to examine ‘difficult history’ was central to a ‘major exhibition looking at the controversial history of British colonisation.’ Myths would be debunked - though the publicity did not spell out what they were. She and Mayflower 400, the umbrella group organising events across the country, were advised by Wampanoag activist, Paula Peters, who described the collaboration as a chance to tell ‘a story that has been marginalised for centuries’.

But it is the Mayflower settlers who have been marginalised. More, many descendants, proud of their heritage, consider that the narrative of their ancestors’ audacious voyage has been hijacked.

The Box’s pre-pandemic publicity enthused about its exhibition, Mayflower 400: Legend & Legacy with its array of Mayflower-related artefacts but the headlines were about a Wampanoag ceramicist who was to make a cooking pot based on a traditional design and there was great enthusiasm for a ‘fully decolonised art and events programme’ presented by 29 Native American artists from New Mexico. (Not a destination on the itinerary of the 1620 voyagers).

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Much was made of a wampum belt made of shells from the New England sea shore as a symbol of the spirit and culture of the indigenous peoples. What the publicity did not explain was that wampum, more prosaically, was used as a currency by Europeans and Native Peoples alike and as the settlers’ governor William Bradford wrote: ‘It makes the tribes hereabouts rich, powerful and proud and provides them with arms and powder and shot...’

That small piece of knowledge brings some balance to the inference that the Wampanoag culture was snuffed out by exploitative colonialists. 

Nevertheless, the official position was that the Wampanoag had been ‘excluded from the narrative... despite having been devastatingly affected by colonisation due to the Mayflower's arrival and subsequent European settlement.’ The indigenous people ‘eventually saw their lands and homes brutally taken from them and ultimately the slaughter of their proud people.’

Well, let’s look at those statements. One claim is that disease spread by the settlers killed off the Native Peoples. Not so. It was spread by different explorers some three years earlier. 

Devastatingly affected? When the settlers arrived the land was deserted. They did not fight for it, or seize it. Even years later, as the settlement in new Plymouth expanded its borders, they bought the land from the Wampanoag.

Paula Peters, the anniversary adviser, once declared: ‘The goal (of the Mayflower incomers) if not to annihilate was to assimilate (the Wampanoag)’ but there were negligible hostilities between the English and Wampanoag apart from a brief flurry of gunshot and arrows when they first landed. Furthermore both parties signed a peace treaty in March, 1621, which lasted for more than 50 years. It was only then that the all-out assault on the indigenous people began and it was led by a different group of settlers.

This idea of a colonising force, so casually bandied about, is preposterous when you realise that the Mayflower sailed short of weapons -‘nor every man a sword to his side,’ grumbled Bradford. Furthermore, the voyagers were made up of families with almost as many women and children as men on the ship. Not the most effective force to annihilate even the feeblest of foes.

So how have we reached this alternative version? It seems clear that centuries of justified rage at the genocide of their people, disgust at slavery - though there is no evidence that the settlers used forced labour - has been conflated and attributed to the settlers. And what better time than an anniversary to promote that message? 

How was that anger, that need for reparation, to be reflected by Mayflower 400? Before Covid struck, plans had been made to hold an ‘unforgettable weekend (on July 10-11) of music and dance fusing hip-hop with an evening of live music, choirs and schools’. 

Well, it might have been fun. It was also hilariously inappropriate. One can only imagine what Governor Bradford and his pious settlers would have made of it. 

This was the man who sent a band of armed men to destroy a rival English settlement because they were ‘quaffing and drinking both wine and strong waters in great excess. They also set up a May-pole, drinking and dancing aboute it, inviting the Indian women for their consorts, dancing and frisking together.’ This is also the religious diehard who broke up a Christmas party because ‘there should be no gaming or revelling in the streets.’

He might have been perplexed by the Mayflower 400’s plans for Plymouth which have survived, including a giant puppet in the form of a dragon which is destined to roam through the city and distinctly unamused by a comedy play which considers important Mayflower-related issues such as, ‘why do our American friends call trousers pants?’

It’s not as if there cannot be fitting commemorations. Talks, walks and festivals are going on from Chorley Lancs, to Southampton, from Shrewsbury to Harwich, in Dorking and in Dartmouth. A flotilla sailed up the Thames recently on the 400th anniversary of the Mayflower’s return to Rotherhithe and in Scrooby, Notts, a festival will be held in the manor where many of the dissidents who inspired the pilgrims gathered in the late 16th, early 17th, centuries.  

But the enterprising Bassetlaw Museum in nearby Retford has also been beguiled by the Wampanoag story and plans to demonstrate the building of a traditional Indian dwelling. Educational, interesting, but how about telling how the half a dozen able-bodied settlers managed to wrest homes out of the wilderness during the first winter as half their number fell dying amongst them?

But let’s not be spoil sports like the stern Bradford. What about the formalities - the speeches, the appeals to the core values of freedom, humanity, imagination and the future which were to be extolled during the revelries?

In the publicity, much was made of leading representatives of the Wampanoag taking part. All right and proper. But there was something - or rather someone - missing. Although, ‘high-ranking dignitaries’ were to speak, there was no mention of a Mayflower descendant being included, and despite me asking twice, no one was able to confirm that anyone from Plymouth, Massachusetts, home of the General Society of Mayflower Descendants, was attending. In fact, one leading light in the Mayflower community had made her own arrangements only to have her plans thwarted by quarantine regulations.

There are 30 million or so Mayflower descendants scattered around the world and a few thousand Wampanoag in New England. They both deserve to have their voices heard. 

Richard Holledge is author of Voices of the Mayflower, out now.

← Dark waters →

 FIVE GREAT NEW HISTORICAL BOOKS 

New European, May 28, 2020

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Voices of the Mayflower by Richard Holledge 

July marks the 400 years since a motley bunch of people sailed across the Atlantic to the New World on a surprisingly small tub called the Mayflower. Among the many books and programmes commemorating the anniversary few will have the human insight of this, in which Holledge brings the voyage to life with an account that is not quite fact but not completely fiction either. As ever the best history is told though individual stories and Holledge’s imagined voices speak to us eloquently down the centuries.’

 

The Scattered; a saga of suffering and survival

Love lost; love regained. Freedom; oppression. The casual cruelty of great nations; the plight of the weak and dispossessed. And against all hope—survival and a new life.

The Scattered dramatizes the incredible life of one man and the people he loved, caught up in the saga that befell the Acadians, a simple, peaceable people, who were expelled by the British from their homes in Nova Scotia, Canada, in 1755. The great powers—France and Britain—were caught up in a titanic battle for power in North America. The small enclave of French-speaking Acadians were in the way and were brushed aside.

To find out more, please go to The Scattered at Amazon

 

 

Here's a book for anyone who endured - or enjoyed -working in British national newspapers over the past 30-plus years. 

http://www.huffingtonpost.co.uk/arnie-wilson/reverse-ferret-a-fleet-st_b_9538290.html

 

Aah, takes me back … to the days of four-day weeks, long liquid lunches, typewriters, spikes and sub-editors. Before desks became workstations, shorthand gave way to Dictaphones and then iPhones, and when every good reporter had his own Deep Throat inside the police force.

It probably takes a Fleet Street veteran to identify the inspiration for the title of this novel. Like me, anyone who was there in the 1980s might think they can identify some of the real-life journalists thinly-disguised as characters in this gloriously funny and racy romp - even though their names have been stolen or adapted from locations in Manchester - Hazel Grove, Miles Platting, Clough Boggart for a start.

But I was brought to a full stop (or should I say ‘point, new par’?) when I realised I was present at an event which becomes quite central to the plot. It was one of those ‘think tanks’ - or drink tanks - that used to be a popular excuse to combine a weekend in a luxury hotel, often with its own golf course, with a brief spell of brainstorming. I think I may even have had a hand in organising this one, at Hever Castle, one-time home of Anne Boleyn.

It was at that moment I realised that the W.M.Boot credited as the author was not only someone familiar with the inner workings of long-lost Fleet Street AND Evelyn Waugh’s ‘Scoop’ but also someone I had worked alongside. It took me a while but I eventually figured out who he (or she) is, and I am sworn to secrecy. Although anyone familiar with Humbert Wolfe’s view of British journalists will know that it might not take too much persuasion to get me to reveal all.

Regardless of my own involvement in the story, and my acquaintance with the author and his characters, this is a thoroughly enjoyable read and a realistic insight behind the scenes of tabloid newspapers before they were eviscerated by a combination of Leveson and the internet. When journalists were more interested in tippling than tweeting, and for whom sex was more important than selfies.

It was published just over a year ago and I can’t believe it has not been reviewed by Press Gazette or on the media pages of The Guardian. It deserves a wider audience - beyond those who can say ‘I was there.”

*********

This is an hilarious book on the excesses of Fleet Street. I thought the phone hacking scandal was bad enough but this is an often rumbustious dive into murky waters or crime, venality, huge egos and lots of sex. Racism, sexism, alcoholism - it’s all here.

But it is more than just a kiss and tell. It is something of a morality tale in which the hero fulfils his ambition - but at a terrible price. I really enjoyed the uncomfortable mix of satire and seriousness.

******

Jonathan

5.0 out of 5 stars

Putting the Boot into Fleet Street

Enjoyed this review by fellow hack Arnie Wilson, spotted on Huffington Post (see above)

"Reverse Ferret is a book about Fleet Street. And the suspicious, somewhat sexually explicit death – was it murder? – of the editor of the mythical “Sunday Chronicle”.

Not just any book about London’s famous (former) national newspaper HQ but one of the best – racy, intelligent, witty, slick, and so tightly crafted that it almost needs oxygen in order to breathe. What a shame that most readers aged - shall we say under 40 – might understand the naughty bits but won’t really understand the best bits (although these are sometimes one and the same). Nor will they really register the news events or even the TV programmes of the age – the Falklands War, for example. Or Dirty Den. Or even the Page 3 girl “Luscious Lovely Linda Lusardi”.

Fleet Street and its reporters’ modus operandi (long alcoholic lunches, typewriters, and the chance to actually get out of the office and meet real people instead of so often relying these days on sandwiches at your desk, email press releases and interviews) is no more.

Reverse ferret is a phrase “used predominantly within the British media to describe a sudden reversal in an organisation's editorial line on a certain issue - and generally, this will involve no acknowledgement of the previous position”. The term apparently originates from Kelvin MacKenzie's time at The “soaraway” Sun – sometimes known as the “current bun”. And if ever the swashbuckling nature of Fleet Street of the 1980s could ever be captured in a single real-life character it was MacKenzie!

W.M. Boot is not, of course, the author’s real name. (And is not related to William Boot, the fictional journalist in the 1938 Evelyn Waugh comic novel Scoop). But I know who he or she is - a chum who gave me my first ever taste of Fleet Street in the ‘70s. Thanks Boot. I won’t put the boot in my naming you since some of the characters in Reverse Ferret are known to both of us and might be unhappy with their portrayal! Suffice it to say that Boot was an executive on several national newspapers - the Daily and Sunday Mirror, The European, Today, the late lamented Independent and the Times. Among others. And I know of one “other” in particular, but I won’t give the game away.

What does amaze me is the obviously superior classical education that Boot was able to conceal from us when working on some of our saucier stories. Where DID Boot learn that vast academic knowledge? Not in Fleet Street that’s for sure!

Boot certainly bears no resemblance to Miles Platting, a character in the book “whose career as a showbiz writer had spiralled into drunken oblivion after his wife had left him for a young reporter she met at a Chronicle office party.

“He missed deadlines, failed to turn up at interviews, and when he did, invariably had a row with the star. As Tarquin (another character in the book) put it: ‘The Man The Stars Talk To became The Hack The Stars Do Their Best To Run A Mile From’.

One of the funniest characters in Reverse Ferret is a slimy and corrupt policeman, Inspector Dennis Droyle who “had the disconcerting habit of adding an aitch at the most unpredictable moments in what was presumably an attempt to shun the ‘ello ‘ello stereotype of the TV copper, but any attempt at gravity was vitiated by his voice, a high-pitched, adenoidal whine”.

Example: “Hi must say – I rather thought you National newspaper journalists would be living in a more hopulent suite of offices than this.”

But Boot writes: “Hopulent they were not. The features staff were packed together as tightly as a traffic jam on the new M25. There were seven of them in theory, sharing a hugger mugger of desks, bedecked with dirty mugs that nurtured vivid biospecimens , pots of glue and chewed Biros, hemmed in by overflowing waste bins (and), stacks of newspapers”.

Sooner or later, of course, on-screen technology would seep like a virus into all newspaper offices including the “Chronic”. There was a “charge against change” from the staff who “wanted to stay working as they always had, tapping at their typewriters, using paper, ballpoints, scissors and glue. They relished the familiarity of the office, with its smell of damp page proofs, the background clatter of the Linotype machines, the rumble of the presses. If it was good enough for Caxton, it was good enough for them.”

Sadly (perhaps) it was not to be. But with hindsight, Fleet Street was always good fun. Thanks, Boot, for reminding us. And that “heditor” who died? Was it murder? You’ll have to read the book to henlighten yourselves!

– Arnie Wilson

*******

Subs desk

A book that takes you back to the Valpolicella-fuelled newsrooms of the 1980s. Deftly-plotted and highly entertaining with a cast of characters that will be familiar to those who were around at the time.

 

 

Who listens?

Who hears? 

The Acadian tragedy

260 years on

 

My old friend Arnie Wilson had this to say in his Huffington Post blog: http://www.huffingtonpost.co.uk/arnie-wilson/the-scattered-by-richard-holledge_b_7878142.html

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